Funky16Corners Radio v.22 – Horse Power

Example

Mr. Cliff Nobles

To hear this mix, head on over to the Funky16Corners Radio Podcast Archive

Track Listing

Cliff Nobles & Co. – The Horse (Phil L.A. of Soul)
Preparations – Get E Up (The Horse) (Heart and Soul)
Delights Orchestra – King of the Horse (Atco)
Cliff Nobles & Co. – Love Is Alright (Phil L.A. of Soul)
Fantastic Johnny C – Hitch It To the Horse (Phil L.A. of Soul)
Soul Brothers – Horsing Around (New Miss)
James Boys – The Mule (Phil L.A. of Soul)
Lou Courtney – Do the Horse (Verve)
Chevelles – The Gallop (Flaming Arrow)
Cliff Nobles & Co. – Horse Fever (Phil L.A. of Soul)
Roy Ward – Horse With a Freeze Pt1 (Seven B)
The Ventures – Horse Power (Liberty)
Johnny Jones & the King Casuals – Horsing Around (Brunswick)
Lester Young & the California Playboys – Funky Funky Horse (Unity)
James Boys – The Horse (Phil L.A. of Soul)

NOTE:The following article is an amended/extended version of an older feature from the Funky16Corners Web Zine. I’ve been wanting to get together a “Horse”-related podcast for a while, and this is it.

Example

Happy Friday everybody!

The end of another week has arrived and as promised, I’m here to drop another chapter in the epic story that is Funky16Corners Radio.

One of the great lost stories of pop culture generally – and soul music specifically – is that of the countless dance steps that were once so popular they were memorialized in song (some dozens of times). Sadly, today, outside of small pockets of aging dancers that still gather together to keep these steps alive (especially in Philly/South Jersey/Baltimore), these dances have been reduced to buzz words in often forgotten 45s.

Surely there are a grip of soul fans/collectors/afficionados who will step up to recite chapter and verse with long lists of twists, boogaloos, shuffles and even more obscure steps like the Camel Walk, the 81 and the Madison.

While there’s no doubt that we’ve all seen these dances performed (by artists and audiences both) in vintage TV show and concert footage, not too many of us would be able to associate a name with a particular step if given the opportunity.

The 1960’s were an especially hot time for dance craze records. Thanks to powerhouse AM radio stations, TV shows like American Bandstand and scores of locally based dance party shows, America’s teens became prolific consumers of soul and funk 45’s aimed at the dance-floor. Dance records were a constant presence on the charts.

If you had your radio tuned to WHAT in Philadelphia in the summer of 1968, the chances were good that Sonny Hopson ‘The Mighty Burner’ was helping you to get your groove on to ‘The Horse’. The tune, the instrumental version (and b-side) of Cliff Nobles & Co.’s ‘Love Is All Right’ , which was released at the end of February, languished as the flip of an excellent, but mostly ignored vocal. That was until a disc jockey in Tampa, Florida flipped the record over and made it a hit (the disc reportedly sold 10,000 copies in Tampa alone in the first week).

The record became a national smash, peaking at #2 on the pop charts for three weeks in July of 1968, kept out of the #1 spot by Hugh Masekela’s ‘Grazing In The Grass’. It was by far the biggest hit for Philadelphia’s Phil L.A. of Soul records (a solid source of soul and funk classics for many years), and provided fodder for high school and college marching bands for years.

Example

Nobles’ record also spawned something of a ‘Horse’ cottage industry in Philadelphia, and all over the country. However, it wasn’t the first ‘Horse’ record. That title belongs to ‘Get-E-Up (The Horse)’ by New York’s Preparations (on the Heart & Soul label) which preceded it by a few months. This upbeat dancer, propelled by a riff modeled on the ‘Cool Jerk’, with its female backing vocals repeating ‘Get-e-up, get-e-up…’ in the chorus made it to #30 on the national R&B charts in the spring of ‘68.

Ultimately it was no match for the Cliff Nobles ‘Horse’.

Nobles was born in Alabama (where he was eventually elected into the state’s Music Hall of Fame), and moved to Norristown, PA as a young man. In Norristown he was discovered by Philly soul performer/songwriter/entrepreneur Jesse James, and it was through him that Nobles made his was to Phil L.A. of Soul records. His first 45 for the label, ‘The More I Do For You Baby’ b/w ‘This Love Will Last’ in January of ’68 went nowhere. ‘Love is All Right’ b/w ‘The Horse’, which was written by James would catapult Nobles into the limelight (somewhat ironic since as a vocalist he had little or nothing to do with the hit side of the single). Though ‘Love Is All Right’ features a powerful vocal by Nobles, and could well have been a hit on it’s own, ‘The Horse’ is a killer. It’s pounding drums (by Philly great Earl Young), bass and guitar (Ronnie Baker, Norman Harris and Bobby Eli) , and memorable horn lines made it a floor-filler. It packs a break that would be legendary were it not the highlight of what amounts to one of the great 25 cent garage sale/flea market records.

Example

Following the natural progression of things (for a record label), Phil L.A. of Soul decided to capitalize on the popularity of ‘The Horse’ by attempting to clone it’s success. They followed it with the Fantastic Johnny C’s ‘Hitch it to the Horse’ b/w ‘Cool Broadway’ in the early summer. Sounding at times like a more energetic, funky version of his own ‘Boogaloo Down Broadway’ (the opening guitar riff is a direct reference), ‘Hitch It To The Horse’ is a groover that attempts to splice the ‘Horse and the ‘Funky Walk’. For a time in July of ’68 ‘Hitch It To The Horse’ and ‘The Horse’ were on the charts simultaneously.

Jesse James got into the act himself with ‘The Horse’ b/w ‘The Mule’ by the James Boys. Featuring the same instrumental track as the Nobles 45, but now sporting a vocal by James with new dance-specific lyrics. This is the ‘Horse’ version I like the best and the version I recall hearing when I was a kid, but for years was unable to track it down (no doubt because I assumed it was also a Cliff Nobles 45). The flip, ‘The Mule’ is just an instrumental dub of ‘Hitch It To The Horse’.

Example

Example

Nobles himself got back into the act that July with ‘Judge Baby I’m Back b/w ‘Horse Fever’. ‘Horse Fever’ is an instrumental dub of ‘Judge Baby…’ (one of Nobles’ best tunes), but it still managed to make it into the Top 50 in September of 1968. It was to be the last of the ‘Horse’ tunes to see release on Phil L.A. of Soul (not counting appearances by these tunes on LP’s by Nobles and Fantastic Johnny C), but not the last of the Philadelphia-based ‘Horse’ cash-ins.

There was the ‘Philly Horse’ by Tony Alvon & The Belairs (creators of the funk classic ‘Sexy Coffee Pot’) on Atlantic with ‘Don’t Be A Drag (Giddy Up) on the flip, ‘High Horse Pts 1&2’ by the Virtue Orchestra on Virtue, ‘Hitch It To the Mule’ by the Panic Buttons on Chalom and ‘Paul’s Midnight Ride’ and ‘King Of The Horse’ (flip side of Philly funk classic ‘Do Your Thing’) by The Delights Orchestra on Atco. ‘King of the Horse’ is a great, funky groover. It is (deliberately) reminiscent of ‘The Horse’ and has a fantastic horn line. ‘Paul’s Midnight Ride’ , the instrumental track of the Sweet Delight’s vocal on the singles A-side is also cool. Nobles himself returned with ‘Pony The Horse’ on Moonshot.
The interesting thing is that the majority of the Philly sides – including half of the records in this mix – feature the same basic band (later the core of MFSB) who recorded under a wide variety of pseudonyms including the Interpretations, Brothers of Hope and the Hidden Cost.

Example

Example

There were also a bunch of ‘Horse’ records from outside of Philly, most of them bearing at least a superficial structural/stylistic resemblance to the original. One of the coolest is the Eddie Bo written/produced ‘Horse With a Freeze’ by Roy Ward on Seven B (out of New Orleans). It manages to work snippets of the ‘William Tell Overture’ into the mix and still remain funky. No one is sure if there ever really was a “Roy Ward”, and there are those ( a group in which I include myself) who believe that the singer is Bo himself. As it is an attempt to glom onto not one but TWO separate dance crazes (the Horse and the Freeze) it features a number of cold breaks/false endings that never fail to fool listeners wherever the 45 hits the decks.

Example

Example

The Soul Brothers (as in Benny Gordon and the…) had ‘Horsing Around’ on Newmiss, with solid drums and a great blaring horn bit in the chorus. Nashville, Tennessee’s Johnny Jones and the King Casual’s backed their classic cover of ‘Purple Haze’ with another (completely different) ‘Horsing Around’. Their tune is a little more laid back, with a bluesy edge and a great guitar lead. The most frantic of the lot is ‘The Gallop’ by the Chevelles on Flaming Arrow. Drenched in reverb it features a fast drum track and lots of blaring horns that tie it directly to the Nobles version. The only cover I’ve heard that departs almost completely from the Nobles template is ‘Funky Funky Horse’ by Lester Young and the California Playboys on Unity. Opening with a hint of ‘Yankee Doodle’ on the organ and taken at a much slower pace than the other ‘Horse’s the tune is a loose, blues inflected cut with great soulful vocals by Young.

There were also covers of ‘The Horse’ by Booker T. & The MG’s, the Ventures (as well as their own ‘Horse Power’, which appeared on the same LP, and is included in this mix) and Marvin Holmes and the Uptights.

Example

NOTE: In addition to all of this there appears to have been ANOTHER vogue a year later for the “Iron Horse” with the following tunes (among others):
‘Iron Horse’ by the Soul Agents (Dust Bowl)
‘Ride The Iron Horse’ by Fred Lowery with Big Bo and the Arrows (Cotillion)
‘Iron Horse’ by the Marlboro Men (Nite Beat)
The Iron Horse’ by Merle Saunders and Heavy Turbulence (Galaxy)

I hope everyone has a great weekend, and I’ll see you all next week with some more soulful goodness.

Peace

Larry

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14 Responses to “Funky16Corners Radio v.22 – Horse Power”

  1. bbb Says:

    great!! & thank you
    my favorite of the horse saga being “doing the horse” by Skippy Brooks
    excello 2188

  2. Dan Canyon Says:

    This comp looks great but i’m desperately looking for some dixie nightingales.

    Do u got any huh huh??!!

    any help would be Greatly appreciated

    Keep Posting, Regards,

    The Canyon

  3. Seamus Says:

    I actually have a phobia of horses must this is brilliant!!lol

    Keep up the good work!!

  4. djack Says:

    Giddyup!!
    Especially nice leading into the Kentucky Derby.

    Our band does both the original instrumental and the vocal Love Is Alright. At Christmas time our trumpeter recites Over The River And Through The Woods over it, “the horse knows the way / to carry the sleigh / o’r the white and driven snow.” It works.

    Larry Harlow and his great Orchestra Harlow featuring Ismael Miranda, back in the sixties when they were less a serious Salsa band and freely mixing Boogaloo, psychedelia, & soul did something called Horsin’ Up, as they describe it on the record, “a little bit of The Horse and a little bit of the Tighetn Up.” Check it out.

  5. Vincent Says:

    Here’s where you put an advertisement up for those painful saddle sores… just kidding. Once again you’ve given us a solid winner! Thank you for the Lou Courtney. He is definitely one of my heroes.

  6. david Says:

    This is a great derby special and another wonderful show. I especially love the Cliff Noble picture sleeve. A real nice touch. You have one of the best blogs around. Thanks so much for all the great music. Any chance you’ll ever do a Soul Brothers Six post? I’m a huge fan and have been only been able to track down about 6 of their tracks, all of which are amazing. I doubt anyone will ever reissue them properly. Anyway, just a suggestion. Keep up the great work!

  7. Flint Hassell Says:

    I’m an alumni (Class of 1975) of JM Tate High School in Pensacola Fla. I played percussion and “The Horse” is our is our fight song. We are an “Ag”,(agriculture) school. We’re called the Aggies and the Horse is our mascot.

    Anyway, I’m helping with the Alumni Association & researching about “The Horse”. On the website, I have a entry letting them know where & when the song came from and giving credit to Cliff Nobles & the Company. I have found midi’s & history but nothing compares to this site. 34 years from the first time I played “The Horse” and I finally heard the words.

    We want to have the original “The Horse” on our site. Can someone contact me about copyright releases?

    Thanks & what an awesome site.

  8. Lyle Says:

    Funky 16 Corners, you have outdone yourself! This is an absolutely fantastic post. I loved the Cliff Nobles song back then, and I love all the songs it spawned (is that the right term for a horse?). Does Ike Turner’s “Funky Mule” (1969) count?

    Keep up the great work.

  9. Pete Reilly Says:

    Hey Larry, Another fine collection – thanks for posting this. I’ve recently been searching my collection for my copy of “The Horse” by Cliff Nobles & Co on UK Direction, mainly to hear again the vocal version on the ‘A’ side, but also to enjoy the fantastic instrumental flip.

    My search came to nought so your post came in good time !! This will be getting a lot of airing at this summer’s parties, so thanks again.

    Pete

  10. No Name Says:

    great!! & thank you
    my favorite of the horse saga being “doing the horse” by Skippy Brooks
    excello 2188

  11. mordecai Says:

    latte passe.
    horse mania

  12. tony Says:

    Wow,most of those sogs,by cliff nobles and Jesse james,the fantasctic johnny c,I loved them and bought them back in 1968(what memories!)James Brown’s let a man come in”was a favorite,that’s the first time I heard Fred wesley do a solo.I have the entire version on cd.I found the cd with Superlatives”I don’t know how to say I love you”,I was in middle school when that came out.I recall seeing them on a local dance show”Swingin Time”hosted by Robin Seymour.I am a fan also of Marvin Holmes”The mule” and “ooh ooh the dragon”.I am trying to find a cd with Juggys”Oily”on it.I use to have that on 45.anybody know anything on Floyd Smith that recorded”Soul Strut”out of chicago in 1968,and Steve Smith and the Soul Champions”Ugly faced woman”?I understand they recorded that in Detroit.I am major fan of “Jerry-o”this guy could dance,I saw him on Swingin Time”also.Here in detroit,if it wasn’t Motown stuff,not much was said about the artist and their songs,I use to listen to the radio,hear a song,write the name down and when I got my allowance on friday,I’d beat it to Wheel city records that was o E.Jefferson ave,or Mattie’s hole in the wall store and buy my records.I would love to have the long versios of James brown’s cuts on Watergate,Escapism,Ain’t it funky,Super bad,and last but not least the studio cut”Give it up or turn it loose.does anyone know if the Fabulous Counts out of detroit and Luna Funk that cut Mr Penguin are the same band?Peace Tony

  13. Sexy Says:

    Another Title…

    I saw this really good post today….

  14. The Guilty Suspects… « Fufu Snax (formerly known as The Snack Bar) Says:

    [...] Lose Your Groove-Lavell Hardy (Rojac) The Gallop-The Chevelles (Flaming Arrow). You can still get this one over at Larry’s Place… Stereo Freeze Pts. 1&2-The Stereos (Cadet) Stop-Howard Tate (Verve) Oblighetto-Brother Jack [...]

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