Vicki Anderson – If You Don’t Give Me What I Want (I Gotta Get It Some Other Place)


Miss Vicki Anderson


Listen – If You Don’t Give Me What I Want (I Gotta Get It Some Other Place) MP3″

This week (as week the last) concludes with an early, Thursday post as I’ve taken another Friday off to attend to family bid-ness, so you get to soak up the funk a day early.
Keep your dial set to the Funky16Corners blog, because Monday will see the arrival of another installment of Funky16Corners Radio, and it’s a good one this time. I won’t tell you exactly what’s coming, other than it will include another funky side by today’s artist, as well as a whole lot of other grooves, so you should come to work on Monday ready to boogie, as well as suck up some more of your bosses bandwidth (he wasn’t using it anyway).
That said, as the lack of enthusiasm for Monday’s post – in which I dropped what I consider to be a heater by Miss Tammi Terrell – may or may not indicate that some or all of you didn’t think that it was as funky as I did. This of course brings us into the semantic wonderland in which anoraks like myself sit around and debate the definitions of “funk”, creating all manner of hyphenates with the quasi’s and the proto’s and all that mess. I mean, some records, the ones that knock you on your ass from the proverbial git go, are undisputably “funk”, whether by actual sound, provenance (i.e. an item picked from the catalogue of an artist that is generally thought of as “funk”) or a combination of the two. There are also date considerations in which each collector/enthusiast/funky academic refers back to their own personally constructed timeline, placing a given record either before, after or right on top of the dividing line between soul and funk.
As I said, this dividing line tends to move depending on who’s drawing it and what their personal taste/knowledge dictates as “funk”. This is where the hyphenates come in. Is a record funk or proto-funk (in which elements of out and out funk start to poke through on a record otherwise considered of the pre-funk, soul music tradition), or just funk-y?
My personal placement of the funk line (or strata if you will, borrowing an image from the geology heads) starts appearing right around James Brown’s ‘Papa’s Got a Brand New Bag’ in 1965 and comes into full bloom with the release of ‘Cold Sweat’ in 1967 (exploding into full view with JB’s cry to ‘Give the drummer some”, and the ensuing break).
While there are certainly other records in that time period (and arguably even before that) that might fit the definition, you’d be hard pressed to show me one that isn’t in some way influenced by James Brown’s funky revolution.
In the end, while most sane people couldn’t give a shit, there are those – myself included – that would debate this subject until we collapsed from exhaustion.
Today’s selection, a ripe, delicious number out of the James Brown and related basket is one of those “grey area” records. I would certainly classify it as funk, but I would also admit that it could be considered a transitional side. Date-wise it’s right in there with ‘Cold Sweat’ (falling one catalogue number prior to that landmark side), and provenance-wise it bears not only the mark of James Brown, but also one of the most powerful weapons in his touring/recording arsenal, the voice of Myra Barnes, aka Momie-O, aka Vicki Anderson.
That record – If You Don’t Give Me What I Want (I Gotta Get It Some Other Place) – is, at least in my opinion one of the finest sides in the James Brown – associated discography. Anderson was, like fellow James Brown Show star Marva Whitney, possessed of a mighty instrument, trained in gospel but fully given over to the devils music. Taking a voice that powerful, and laying it on top of one of the tightest, grooving-est bands in the land was nothing if not a deadly combination.
The opening of the record sounds like someone trying to start a giant motor. Anderson’s cries of “BABY!” over the guitar/bass/conga combo soon explode into the full force of the band, which rolls along like a funky tank. The lyrics, a wronged lovers manifesto, are particularly ironic in the context of Brown’s treatment (especially financially) of the female artists in his stable, namely the charge that they were rarely compensated for their recording work, with Brown accused of  often taking credit for songs that the women either wrote or helped to write (shame on you, Godfather…).
My fave parts of the record, aside from Anderson’s monumental vocal, are the multiple guitar interplay, and the strange, out of phase male backing vocals in the chorus. This is not to overlook the hammering drums, which sound as if Clyde and Jabo snuck and pushed them up in the mix after James had retired for the evening.
No matter how you slice it, this is a powerful performance by all involved and spun on the turntable at your next ripple and potato chip party ought to make getting the dancers moving all easy-peasy-lemon-squeezy, if you knowwhatImean….
So, follow these instructions:
1. Right-click on link
2. Download track
3. Play track
4. Dance
5. Wait until Monday for further instructions.

See you then.

8 Responses to “Vicki Anderson – If You Don’t Give Me What I Want (I Gotta Get It Some Other Place)”

  1. Dan Says:

    Another monster track. I’ve always been struck by those funny little conga/vocal (and conga/sax) interludes. They’re like some sorta hyper-attenuated bridge. They work.

    I liked Terrell track, too – though I was surprised to hear Motown sounding so much like Memphis (in parts); maybe your readers were similarly shocked into silence?

  2. Dan Says:

    This one’s hittin’ on all 12 cylinders, Larry! As someone who likes his own amorphous definition(s) of funk to always include some form of Africanized syncopation – polyrhythm- in the drums and/or interplay of other instruments, I have to admit that, ultimately, funk has an elemental attitude, a gut feel that bypasses the brain and is expressed by the butt. It’s readily evident but hard to describe. I think Ms Anderson’s amazing track fits either way. I’d vote to call it funk no matter when it was recorded.

  3. funky16corners Says:

    Dan #1 – Good point on the Terrell

    Dan #2 – Gut feeling indeed. One of those ‘I’ll know it when I hear it’ things.

  4. Terry A Says:

    This is a killer track, it is funk in my book. Dig that heavy driving base line. Her over the top upper register vocals drive this track in to the stratosphere. Whatever the ultimate groove is this song has it.

  5. stewart Says:

    Like yer definition of the funk, which kinda chimes with what i had figured myself. This track, like Tammi’s earlier in the week definitely gets my funk vote and got me bouncing about in my desk chair so much it damn near broke. I notice no one has mentioned the tenor sax in today’s track yet. Icing on a very tasty cake.

  6. Funky16Corners Radio v.14 - Butter Your Popcorn « Funky16Corners Says:

    […] Funky16Corners I Popcorn For Fun And I’m Second To None « Vicki Anderson – If You Don’t Give Me What I Want (I Gotta Get It Some Other Place) […]

  7. Friday Flashback #5 - Funky16Corners Radio v.14 - Butter Your Popcorn « Funky16Corners Says:

    […] also released in September, but despite its undeniable power failed to chart. Vicki Anderson – who’s praises I sang last week – throws down the double whammy (combining a dance craze tune with an “answer” record) with […]

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    […] year. Spooky, n’est ce pas??? Methinks it’s kismet! Marva Whitney was, like Lyn Collins and Vicki Anderson, a crucial part of the James Brown Revue. She worked (including a tour of Vietnam) and recorded […]

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