Funky16Corners Radio v.33 – Soul Message – the Soulful Strings


Funky16Corners Radio v.33- Soul Message – the Soulful Strings


Burning Spear (B) (Evans)
The Stepper (C) (Evans)
Soul Message (C) (Evans)
Listen Here (E) (Eddie Harris)
I Wish It Would Rain (E) (Whitfield/Strong/Penzabene)
There Was a Time (E) (James Brown)
You’re All I Need (E) (Ashford/Simpson)
Zambezi (F) (Evans/Hathaway)
Chocolate Candy (F) (Upchurch)
Valdez In the Country (F) (Hathaway)
1974 Blues (F) (Eddie Harris)
Hey Western Union Man (G) (Gamble/Huff)
I’ve Got the Groove (G) (Gamble/Huff)
I Can’t Stop Dancing (G) (Gamble/Huff)

To hear this mix, head on over to the Funky16Corners Radio Podcast Archive

Greetings all.

Today’s edition of Funky16Corners Radio is a project that I’ve been promising to do (after several requests) for a long time. I finally got my shit together this weekend, and so here you have Funky16Corners Radio v.33 – Soul Message, the sound of the Soulful Strings.
I’ve only ever done one other single-artist edition of Funky16Corners radio (Lee Dorsey), and after much delay decided to devote a mix to the Soulful Strings as they are not only one of my all-time favorite groups, but also because they are woefully underrepresented in reissue. As far as I’ve been able to tell none of their albums have ever been reissued domestically, and aside from a track here are there on comps, you’d pretty much have to dig up the original vinyl (which took me quite some time) to get the whole picture.
Though their 45s aren’t too hard to come by, the albums (most of them anyway) are another story entirely. They don’t command too high a price, but they can be very hard to track down.
If you’ve hung around here (or the webzine) for a while you already know that I am a huge fan of the legendaryRichard Evans.
Evans, along with Charles Stepney – was the major creative force behind Chicago’s Cadet Records in the 60’s and 70’s. Originally a jazz bassist, Evans went to write, arrange and produce some of the finest records to come out of the Cadet catalog.
Despite what appears to have been a very busy schedule, in 1966 Evans began work on his own project, the Soulful Strings.
While Evans had always been an innovative arranger/producer, it was with the Soulful Strings that he began to experiment with the innovative instrumentation that he would go on to use to great effect with Dorothy Ashby, Marlena Shaw and Terry Callier among others.
Though at first glance the Soulful Strings appear to have been another easy listening/kitsch project engineered to cash in on an audience unable to stomach harder edged soul music (and the Chess brothers may very well have had that in mind) Evans was too much of a visionary to sit back and crank out dross. On the seven Soulful Strings LPs recorded between 1966 and 1971, Evans created some of the most interesting, vital sounds of his career.
It’s important to look past the name of the group and listen closely to the music on the records. When you do so the impression you get is not of a Montovani-esque vibe, but rather an energetic soul/funk/jazz rhythm section augmented (not overpowered) by strings.
This has everything to do with Evans’ vision of a truly soulful sound with a baroque twist (kind of a flipside of Stepney’s psychedelic soul experiments with Rotary Connection), but also with the players he worked with to build the sound.
Though only one Soulful Strings LP (Groovin’) sports a full personnel listing – the rest list only featured soloists – the core of the group was formed from the cream of Cadet sessioners like Stepney, Lennie Druss, Phil Upchurch, Donny Hathaway, Cleveland Eaton, Morris Jennings Jr. and Cash McCall, and vibraphonists Bobby Christian and Billy Wooten. The only strings players that are listed on multiple albums were violinist Sol Bobrov, and viola player Bruce Hayden, with bassist Eaton occasionally doubling on cello.
The debut LP, 1966’s ‘Paint It Black’ was composed entirely of covers. It wasn’t until 1967 and ‘Groovin’ with the Soulful Strings’ that Evans would include an original composition, and with ‘Burning Spear’ the group would have their biggest hit. The tune would go on to be covered by Kenny Burrell, S.O.U.L, Jimmy Smith, Joe Pass and the Salsoul Orchestra. There would be three Evans originals on ‘Another Exposure’, and none at all on ‘In Concert’.
It wasn’t until 1969 and ‘String Fever that an album would be dominated by original compositions, with tunes (and collaborations) by Evans, Phil Upchurch and Donny Hathaway beside two Eddie Harris tunes (1974 Blues and Cold Duck Time).
The final Soulful Strings LP, ‘Play Gamble-Huff’ was – as the title suggests – composed entirely of tunes written by Kenny Gamble and Leon Huff.
The tunes in this mix are not presented in chronological order, nor are all of the Soulful Strings albums represented. You can hear the title cut from ‘Paint It Black’ in Funky16Corners Radio v.31 – Soul Satisfaction*, and I’m holding off on tracks from the ‘Magic of Christmas’ LP until (wait for it…here it comes..) Christmas.
The mix opens with the Soulful Strings best known song, ‘Burning Spear’. Opening with kalimba (an instrument Evans would use frequently), the drums come in quickly until the flute takes the lead. It’s interesting that in a group where the Strings get top billing, the flute (mainly Lennie Druss, later Richie Fudali) is given an especially prominent role.
The next cut ‘The Stepper’ is a groovy swinger with some nice organ and a great guitar solo by Upchurch.
‘Soul Message’, another showcase for Lennie Druss has a propulsive beat and a seriously Eastern vibe.
Evans would dip into the Eddie Harris catalog several times, including a very nice version of the oft covered soul jazz standard ‘Listen Here’. It is one of the tracks from the ‘In Concert’ LP that sound (not surprisingly) ‘In studio’, or at least heavily overdubbed. Of the other ‘In Concert’ tracks included here, ‘I Wish It Would Rain’ is positively sublime, and one of my fave Soulful Strings cuts. ‘There Was a Time’, the group’s sole selection from the James Brown catalog actually manages to preserve some of the urgency of the original while recasting it in their own image. It also sounds as if it were actually recorded live. The final track included here from ‘In Concert’, Marvin Gaye & Tammi Terrell’s ‘You’re All I Need (To Get By), is another great fit of material to setting.
The next four cuts all come from what I consider to be the Soulful Strings finest moment, the 1969 LP ‘String Fever’. As I said earlier, ‘String Fever’ was composed almost entirely of group originals, which are all excellent. As a result, this is their funkiest album, with some of the tracks tapping into a slick, urban vibe that anticipates a lot of early 70’s soul.
‘Zambezi’ and ‘Chocolate Candy’ – both of which I’ve spun at DJ nights to positive response – are both incredibly cool. ‘Zambezi’ features some very groovy scatting (by Upchurch, I think) and ‘Chocolate Candy’, written by Phil Upchurch is a lost classic.
‘Valdez in the Country’ – which also features the guitar/scat combo) was one of the first Donny Hathaway tunes to be recorded, and went on to be covered several times by the likes of George Benson, Cold Blood, Gerald Veasely and Ernie Watts among others. Hathaway wouldn’t record it himself until 1973’s ‘Extensions of a Man’.
‘1974 Blues’, which originally appeared on Eddie Harris classic ‘Silver Cycles’ LP the year before takes a lighter approach than the original, with some great vibes (uncredited).
The final Soulful Strings LP ‘Play Gamble-Huff’ wouldn’t hit the racks until 1971. It features Strings-ized versions of several big hits, including Jerry Butler’s ‘Hey Western Union Man’ (also covered by Clarence Wheeler & the Enforcers), the Ojay’s ‘I’ve Got the Groove’ and Archie Bell & the Drells’ ‘I Can’t Stop Dancing’.
Though I can’t say why that was the end of the Soulful Strings, it wasn’t long before Evans was releasing solo albums, as well as working as a bassist and arranger for Natalie Cole, Peabo Bryson and Ahmad Jahmal among others. He eventually took a long-term position as a professor at the Berklee College of Music in Boston.
That all said, I hope you dig the Soulful Strings.
I’ll be back later in the week with some funk.

Principal players
Richard Evans
– Arranger/Producer/bass
Lennie Druss – Flute
Charles Stepney – organ, vibes
Phil Upchurch – Guitar
Cleveland Eaton – bass, cello
Morris Jennings Jr. – drums
Bobby Christian – vibes
Billy Wooten – vibes
Cash McCall – guitar
Richie Fudali – flute
Sol Bobrov – violin
Bruce Hayden – viola

LP Discography
A. Paint It Black 1966
B. Groovin’ With the Soulful Strings 1967
C. Another Exposure 1968
D. Magic of Christmas 1968
E. In Concert 1969
F. String Fever 1969
G. Play Gamble-Huff 1971

45 Discography
The Sidewinder / Message To Michael – 1966
Paint It Black / Love Is A Hurtin’ Thing– 1967
Burning Spear / Within You Without You – 1967
The Stepper / The Dock Of The Bay – 1968
Jericho / The Who Who Song – 1968
I Wish It Would Rain / Listen Here – 1969
Zambezi / A Love Song – 1969

*There are also several other Soulful Strings tunes included in the Rubber Souled podcasts.

I almost forgot that there is yet another SS track in Funky16Corners Radio v.24.5  The Beat Goes On….

PS Check out some Freakbeat by the Montanas over at Iron Leg


19 Responses to “Funky16Corners Radio v.33 – Soul Message – the Soulful Strings”

  1. Jimi Hazel Says:

    I love Valdez In The Country! Larry, I was surprised you didn’t mention the baddest and most funkiest cover version done by The Nite-Liters! That’s a burner if ever there was one!

  2. Jeff Says:

    Looking forward to anything Christmas you might offer. Thanks as always for swell stuff like this.

  3. Captain Wrong Says:

    A good friend of mine was lucky enough to study composition with Evans out at Berklee. He said the dude was fond of telling great stories about Chess in the 60s and whatnot.

    I’m still jealous.

  4. Groovin' Dan Says:

    I confess that I passed up copies of “Groovin’ With the Soulful Strings” for years, thinking that (Chess connection aside) it was probably just a jive-ass easy listening record — I think the cover art had a lot to with that.

    Anyway, I finally got hip, and I really love those first two LPs; but I had no idea until now that they’d recorded so many others! Thanks for the education — and the excellent mix!

  5. funky16corners Says:

    I haven’t heard the Nite Liters version of ‘Valdez In the Country’ (I have a bunch of their 45s but none of the LPs.

    Groovin Dan
    Those later LPs took me a while to track down. I still can’t believe that someone hasn’t made a deal to reissue the albums, or at least put together a comp of some kind.
    This is great music.

  6. Vincent Says:

    I’m looking forward to this one too. “The Stepper” is really a sweet piece that I’m glad is in my crates.

  7. Smooth Says:

    Outstanding post, I just love Richard Evans, Charles Stephney and the Soulful Strings, a very fertile period in music always worth coming back to. Very interesting infos. By the way Ramsey Lewis was involved with this group of players too (but I guess you knew that already).

  8. soulville Says:

    Wonderful reading. I bought the soulful strings “paint it black” 30 years ago for the version of “wade in the water” when I was getting in to northern soul. Now I’ve ben through all the phases from jazz to house, modern to deep and its all good. Great website/ radio show. I’ll have to listen when I get some time.



  9. spinifex Says:

    Larry, great post. I’ve been enjoying your mixes a lot!!
    I’ve been finding some of the music in your posts on vinyl reissued and used on the dusty groove website. They have used copies of Groovin and In Concert right now…

    Thanks for doing all the work..


  10. John Says:

    Hi Larry–

    Thanks so much for posting this!

    I am a longtime violinist and string arranger, and do a lot of writing for the large string group (usually 9+ players) my partner and I have called the Golden Gate Strings. I only recently discovered the Soulful Strings; they (and Richard Evans) have been a continuing source of inspiration. In fact, I recently wrote a version of “Eight Miles High” which I dedicated to him; it doesn’t sound a lot like the SS, but he certainly kicked my ass into high gear on it! One big difference is we don’t use drums, though sometimes the players will whack their instruments strategically. Anyone who’s interested could check out some of our first efforts, live-in-studio versions of My Girl and I Heard It Through The Grapevine:

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    [audio src="" /]

    We’ve come a long way since then… I’ve done charts for the Nite-Liters” K-Jee, Take Me To The River the Al Green way, Tell It Like It Is, Born Under A Bad Sign, Walkin’ The Dog, Knock On Wood, etc. etc. Oh, and tribute-to-psychedelia stuff like Truckin’ and White Rabbit as well as Eight Miles High.

    Enough self-promotion. I look forward to a good listen to your Radio 33!!! Thanks again!


  11. djack Says:

    I’ve collected a few SS tracks over the years but never had a good long listen. Wow, very nice, thank you.

    It’s this week’s soundtrack to our dinnermaking/music listening/cocktail hour, aka The Best Hour Of the Day.

    I’m perfectly fine with a lot of “Easy Listening” music, the SS is such a nice in-between that and soul-jazz and straight-up soul, it brings it all together and is so uniquely of its time.

    It made me pull out a bunch of other discs from that time w/ flutes and strings, Rahsaan Roland Kirk, Van Morrison’s “Astral Weeks,” etc. The genesis of a radio show I’ll do sometime.

    Thanks again.

    ps wish I could be at The Budos show. Have fun.

  12. TW Says:

    Larry – thanks for this! I’ve only heard some stray Soulful Strings trax on comps, and have never been able to find the actual LPs in the used bins, so I am very excited to hear this stuff! Your blog is far and away my favorite on the Web — I’ve gotten a lot (A LOT!) of enjoyment out of the music you’ve been posting. I just wish I could keep up with all of it! So keep up the good work and thanks again!

  13. gingatao! Says:

    Thanks for all the hard work you are doing bringing this fantastic music to us. I really appreciate the sound and the spirit behind it.

  14. Rock Savage Says:

    Just want to say Thank You for the Soulful Strings Information, beautifully written I might add. I got into the Strings with ‘Listen Here’ which was on a Cadet Comp’ Album.I played it alot in London Clubs and it always got the crowd moving. Great to learn more about them.

    Rock Savage

  15. funky16corners Says:

    Thanks Rock!

  16. Come On In My Kitchen part four… a special editiion « Fufu Stew Says:

    […] Next up is a cover of Bob Dorough’s “Coming Home Baby” laid down by Richard Evans’ mighty Soulful Strings (head over to Funky16Corners for the scoop on them). […]

  17. Bob Says:

    I burned a CD of my old “Groovin’ With” LP a while back and then finally got enough hard drive space on my new PC to put it in iTunes. Then I looked up what this album goes for on the Internet and was amazed at my prescient good taste when I was a mere lad of 19.

    I am looking foward to hearing your compliation which is downloading now. Just finished….

  18. Happy Holidays « Says:

    […] to do,” said Richard Evans about this song when we spoke last summer. What Mr. Evans and his Soulful Strings’ musicians did was record the funkiest version of “Jingle Bells” […]

  19. Victor Johnson – When You Say You’re Mine « Funky16Corners Says:

    […] Ashby, Odell Brown and the Organizers, Terry Callier and last but certainly not least, the mighty Soulful Strings. Evans’ work at Cadet is visionary, creating a sonic universe at once soulful, sophisticated and […]

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